Thursday, September 24, 2009

Tit for Tat..."What the fuck is a Bible Stud?"

Like I promissed, My Eye related posts won't stop here..sadlly the gifts will. So there you go..the second part of My Eye's related post trilogy: Founded in '89 by Steve Van Liew after My Eye dismissed, Bible Stud was Steve's attempt to get back to his hard rock/metal roots, what he initialy did with Overlord. Therefor he reunited with Glen Logan, the original Overlord's guitarist and put together the foundation of the hard rock/metal nearly grunge band, Bible Stud. Soon they were joined by Kenny Jakobsen on drums, Dave "Gundo" Gunderson on bass and Ric Vaughan on guitar. Same as usuall the internet was poor in info regarding the band but their myspace was pretty helpfull, here's a copy-paste from it (that is actually an article from the Rocket Magazine, year 1989, writen by Jeff Gilbert):
Sounding better than ever, original Overlord guitarist Glen Logan and vocalist Steve Van Liew have quietly kept their hard rock flame lit all these years, and with their new band, BIBLE STUD, it’s now turning into a four-alarm rock ‘n’ roll bonfire. This is due ,by and large, to Logan’s skill and mastery in songwriting. Tracks like "Blood Red" and "Tit for Tat" show confident swagger, bringing the energy level up from a steady simmer to an irresistible overflow boil. Van Liew’s half-cleared throat vocal style also gives Bible Stud an extremely distinctive, raw sound. As longtime partners Logan and Van Liew have used their hard, street level chemistry, channeling in into vital, pulse-pounding rock. Bible Stud also include Kenny Jakobsen on drums, Dave "Gundo" Gunderson on bass and Ric Vaughan sharing guitar duties.

I gues it was about two years ago...I saw on a web page an article about Bible Stud, mentioning that the band's name had something to do with their practice space. Anyway, any of you who remembers something, please leave a comment. Now back to the story...The band recorded two demos and released a single in '89 Cried/Tit for Tat. In late '90s, getting more further from any grunge influence the band metamorphosed into Crawl.The line-up: Steve on voice and guitar, Ric Vaughan also on guitar, Dave Gunderson on bass (later replaced by Denn Grim) and Eric Fenner on drums. Here's a little something about Crawl from Spin Magazine:
Crawl used to call itself Bible Stud.Overlord before that. You can call it what you want, the band doesn't mind. Heavy(of course), guitar-overdriven(surprise, surprise), and high gloss polished with sandpaper(ouch). Crawl is one of those bands that grows on you-like moss, and before you know it, you're doing the Swamp Thing. No Seattle cliches, just a deep, hypnotic, soulful crunch. Vocalist Steve Van Liew has one of the most distinctive voices this side of a blade sharpener...

I'm happy to declare myself as the first who has ever posted the Stomach Pump Single. Stay tuned...Next time---->Stomach Pump futuring Leighton Beezer from The Thrown Ups and Max Godsil and Duff Drew from My Eye.

Bible Stud-Cried/Tit for Tat (Single)
Cried
Tit for Tat

Monday, August 17, 2009

My Eye: A true vision of "heavy metal underground protest music"

I can't express how glad I am for finally being able to write this post down. I've been trying to track down My Eye story for quite some time now, and I've got to admit that it was a really cool experience, especially the fact that I got in touch with some of the artist themselves.

So, is the mid '80s and the metal titans, Overlord, broke up leaving behind the Broken Toys Ep masterpiece. Former members, Steve Van Liew and Kurtiss Lofstrom, along with Duff Drew (ex-The Trids) and Max Godsil decide to take the Seattle music to a whole new level by founding the noisy/post-punk/proto-grunge band, My Eye. Sadly but not regretable, to avoid the hype and the so-called "scene", around 1988, the band splits. Their recording history: Empty Box/So Much Going On 7'' on C/Z in '87 and a (2 song) contribution to the '89 Another Pyrrhic Victory compilation. To find out more about the band I got in touch with Kurt, the band guitarist, who gave me some basic info about the band.

My Eye formed in '85 after Overlord dissolved due to creative differences, Steve and Kurt began listening to such bands as: Replacements, Husker Du, Sonic Youth, Lou Reed, Big Black, getting further from their metal roots. The band usually wrote music from improvising live. They shared bills with Green River, Malfunkshun, Soundgarden, PopDefect, Feast, Tupelo Chain Sex, Soul Asylum, U-Men, Bundle of Hiss, 64 Spiders, the Thrown Ups, Terry Lee Hale, Skin Yard, Slow, Fastbacks, Jesse Bernstein and probably a few more. A great news was finding out that the 7'' and the contribution on the '89 compilation weren't the only releases. The band had three more cassettes: My Eye, Good to Say by Silence and Generic Psychosis.
The band's membership has never changed, although Kurt mentioned that at their 7'' single release they had some problems with Steve, and he was replaced at their final two shows with two different singers, neither of which had worked out.

Because I was intrigued to find out some inside information, Duff Drew was king enough to answer a set of questions:

1.How were you recruited as the band drummer?
I knew Steve Van Liew and Kurt Lofstrom from their days in OVERLORD. At that time I was the drummer for the punk-glam band The Trids(we were in high school @ the time). We played shows at the Lake Hills arena/roller skating rink, a place where OVERLORD had played many times. The one thing that set the Trids apart from the other bands they played with is that in addition to punk and glam covers(everyone else did the heavy metal thing)we also did originals.I think it was because I played, and wanted to play original music that Steve and Kurt thought about adding me as a member to a new project. I still remember us sitting around trying to come up with the name for our new project. We did one show, a private party, under the name Bad Karma, I think Mark Arm played with us. We shortly then changed it to My Eye.Also, with my punk background, they knew I could play kinda fast, so that might have been another appealing factor. Back in those days, what I lacked in Chops or "Good Timekeeping" was made up for in sheer enthusiasm.I like to smoke pot and drink really cheap beer, that was probably another plus on my side.... ;)

2.Was there any specific thing that attracted you to this project?
Well, Kurt and Steve were from a much more established Band in OVERLORD, and Steve was really good friends with members of the Trids, and that is how I met him. OVERLORD was like a big brother band to the Trids.Specifically, I knew what an awesome guitar player Kurtiss is, and knew that he, like I, wanted to make original, possibly "experimental", music. I was probably attracted to being able to play loud, fast and at times a little sloppy, but always right from the gut, and with no reservations or hesitations ever.I knew that Steve V. L. felt the same way. I knew that our Bassist Max Godsil, whom I went to school with, was ready for the same type of approach and away we went in our beer-soaked glory. Max is one of the most unique bass players I have ever played with.I was also interested because I knew that based on their OVERLORD days, Steve and Kurtiss could get us some "good" gigs.I was attracted to it because I felt that these guys would be fun to hang out with, and that they were very creative individuals with whom I shared a common love of Music and Hedondism, massively fueled by the vigor of youth.

3.What can you tell me about the band's name...who came up with this name and why?
I came up with it. We were changing the name from Bad Karma, we had done show with that name with Mark Arm, but he was fully into Green River.We wanted the name to have something to do with pain...and I said at one point...."hhhhmmmm pain, how bout "OW...My Eye"....then one of the guys remembered Cheech and Chong and said...."Earache, my eye!!!!.....The rest is indie music history

4. In your opinion, what was your best show?
Shows with either SoundGarden, Soul Asylum, or Malfunkshun.

5.What influenced the band to write those gloomy/dark songs?
We are gloomy, dark, hard livin, take no bullshit individuals.

6.What do you remember from the first recording sessions?
I had way more beer than exprerience, Steve and Kurt had more studio experience than myself or Max, but from the Trids, I had a little more studio time under my belt than Max/Bassist."it was all about creating free art, with the goal of a cool song, hopefully.

7.Lyrically, what did My Eye express?
One of our commentors of the day called us "heavy metal underground protest music"....A true definition of our alternative "vision" .

8.Why do you think My Eye didn't have that much success?
Success was not ready for My Eye. My Eye was about Free Arttistic Expression....not gross unit sales for a record company, but we would have been happy to work with any interested company at the time. As Kim Thayil once told me, "had you guys not broken up, you would have been signed to Sub-Pop, toured Europe, and then, who knows".....

Post My Eye, Steve formed Bible Stud, then Crawl, and he's currently playing in The One and Only True Messiah. Max played with Leighton Beezer in Stomach Pump, Kurt is still palying and recording music and has "discovered the joy of 60's Ludwigs". As for Duff, he had played in many bands since, including Beluga and Man Ray. Now he's a session drummer and instructor in Seattle area, and often plays with a band called Ocean of Algebra.

Special Thanks to Duff Drew, Max Godsil and Kurtiss Lofstrom.
From Another Pyrrhic Victory: The Only Compilation of Dead Seattle God Bands:

Monday, August 3, 2009

Vexed: A funk-punk "anthology" of the Northwest

Ok, well, I got to admit I’ve spent a little time deciding what band this post should be about. Luckily I passed all my exams (with high grades, too :D ), and I've also spent a lot of time playing -really oughful-at my guitar. I finally made up my mind to write down a post about a non-grunge band called Vexed, I once again couldn't decide what material to post...so I thought why not a bit of all?!
Vexed formed in '84 from the ashes of Death of Marat, and the Drills, the founding members were Milton Garrison (guitar) and Alfred Butler (bass). The band made its debut in '85 with the song "Six Foot Hole" on the Pyrrhic Victory: A Goal Attained At Too Great a Cost cassette along with Soundgarden, Skin Yard, 10 Minutes Warning, Feedback, Mental Mannequin, The Fags, Colour Twigs, The Probes and The Horrible Truth. Next the band appeared on the Bands That Will Make Money compilation in '86, and they were featured on two more compilations before releasing their own material: Lowlife compilation in 1987, and Secretions in 1988. Finally the band’s first non-compilation debut was Maybe 7'' EP in '88. The EP will eventually be included in Cd version of The Good Fight LP.
In 1990 the band made contribution to the famous C/Z compilation Teriyaki Asthma with the song Gwym on vol 4. I read almost 2 years ago on Lamestain that Yeast (another band featured on Teriyaki Asthma , on the first vol) was actually another Milton project....so why not post Solid Alligators?!

The band broke up and reformed in 1992 with Alcohol Funnycar drummer Buzz Crocker. In '94 they released an eight-song LP on C/Z records called Cathexis.

Vexed played an unique style...a mix between funk, art and death rock, nothing what so ever to do with the sludgy, grungy sounds of the Northwest.

Maybe 7''

The Good Fight LP
Cathexis

Teriyaki Asthma

Friday, June 12, 2009

I'm taking a break once again

Sadly, really sadly my collage exams have just started so I'm finding myself forced to take a break for month or so. So what can I say...good luck to me and I'll be back with a lot of northwest obscurities.See you next time :D

Tuesday, June 2, 2009

Thrillhammer: The band that led the way for early Portland indie bands

Portland had an amazing scene going on in the early '90s...It was the home place of dozens of indie band, and although it was in a tight connection with Seattle, the mainstream success was quite a different thing there. Unfortunately it was all pointed to one direction, Everclear, God dammit! This and the story bellow are the main factors for hating Everclear:

When I was six or seven years old my elder sister had this Everclear tape that she used to listen almost every day. One day (guess she annoyed me with something) I recorded a couple of songs from a radio station on her tape. One of the songs I'm preety sure it was The Cure Lullaby...Anyway, when my sister found out...ha ha ha , she beat the crap out of me...And that was the day I started heating Everclear or anything that sounded like it. Fortunately, my sister lost the tape when she borrowed it to someone.

Leaving Everclear aside(I've already mentioned their name enough times) I guess you all know/agree that the top three bands in early '90s in Portland were Crackerbash, Pond and Hazel. What you probably don't know is that Pond and Hazel had something in common, and that something was a short-lived band called Thrillhammer. The band formed in 1990 in Portland, line-up consisting of David Triebwasser-drums, Pete Krebs-guitar, Ben Munat-bass, and Peter also wrote the lyrics. The band did a self-booked tour down the west coast and in May '91 broke up. Looks like they released their only album-Ghiftless- with the help of Steve Albini, when they weren't even a band any more.

Ben Munat recalls : We had actually broken up on our ill-fated tour in May of 1991. But when we got home, we heard from Mike Morasky, our friend in Steel Pole Bathtub (who worked for Boner Records), that he had vouched for us with the newly formed German branch of Rough Trade records[...] The album was recorded in a few days at Dogfish Studios in Newberg, OR (which tragically burned down a few years later). We slept in the studio and got on each others nerves. (Well, I remember for sure that I got on Albini's nerves.) I think we probably needed a bit more directing. Albini has always insisted that he's not a producer, but is just an engineer... a sonic documentarian, as it were.

Since the band sounds pretty earth-shacking to me, I would have really loved to listen to another material, if they had released any (to bad they hadn't). This is one of the records that was really underrated and definitely needs a listen and a comment on the bottom of the post with your personal opinion(so don't be shy). Post-Thrillhammer, David joined Pond, Ben formed Rotor with Dale Moerer, formerly of the Oily Bloodmen, and Pond ex-member Ken Adams. Pete joined Hazel, and after that Stolen Sweets.

Monday, May 25, 2009

An 100% punk rock split/single or a double post

Here's a hot punk single that has to be shared with my readers. An out of print split/single with two MRR bands, so we'll have a different post today...a double post. Well in case you didn't know, MRR stands for Maximumrocknroll, and here's the whole story (that involves radio shows and fanzines). Back to Seattle those two bands (you already met one of them three post ago) are Derelicts and Zipgun.

The Derelicts formed, I guess, around '86. The band members were Duane Bodenheimer on vocals, Neil Rogers on guitar, Ian Dunsmore on bass and Rick Bilotti on drums. They played this drinking-problem punk with really overdriven dirty guitars. Proudly they came up before grunge and lasted a little bit through the 90s, I think they disolved in '93...basically their last record was this split/single that came out in '92, so...

For me, Derelict seems to be the band that defined Empty Record in a way that it definitely fits the profile of other bands signed there. Friends of mine classified them as hardcore punk, and often put them together with a class of bands that included Brotherhood, Jesters of Chaos, The Accused...I mean ...The Accused!!!....come on, that's trash as hell. Anyway I've never heard the original My Dad's A Fucking Alcoholic, but I'm pretty sure I haven’t missed much. Here's everything that Derelicts ever released: Bullet for Fifi 7" (1989, Penultimate Records),Time to Fuck Up 7" (1990, Empty Records US) Misery Maker 7" (1990, Sub Pop & Glitterhouse), Love Machine LP (1990, Penultimate Records) Beir, Beir, Beir LP (1990, Musical Tragedies), Derelicts/ Zipgun split 7" (1991, Broken Rekids, re-released in 1992 by Empty Records),Going Out of Style 1986-1990 CD (1994, Empty Records), and they were featured on the following compilations:Another Damned Seattle Compilation, Bobbing For Pavement, The Estrus Half-Rack , Puget Power.

Cold, funny and sometimes drunk-depressing punk, Zipgun was formed in '91 by Derelicts, guitarist Neil Rogers and singer Robbe Clarke. The full membership also included Mark Wooten on bass and Dan Cunneen on drum. It looks like they’ve initially set up on the name Smash, but they’ve immediately changed it, when Zipgun was suggested.

They were signed at Emty Records were they’ve released almost every material. Before you see the list, you need to know that their Lp 8 Track Player was recorded by the godfather of grunge, namely Jack Endino. Following the band history they disbanded in '94, their last line up featured Ian from Derelicts on bass. They did a/some reunion show/s and they were even featured on Hype! Post-Zipgun...whell Robbe Clarke sang in Against Medical Advise, and eventually formed RC5 and Neil and Ian formed Glazed, and I’ll end this with the release list:10 Seven Inch(1991, Empty Records), Together Dumb/Cool in the Cell 7"(1992, Empty Records), Zipgun/Derelicts Split 7"(1992,Empty Records), 8 Track Player LP/CD(1992,Empty Records),The End/Nothing Cures 7"(1992, Musical Tragedies), I Can't Wait/Tight Black Pants 7"(1993,Thrill Jockey Records), Baltimore LP/CD(1994, Empty Records).

Enjoy...

Wednesday, May 6, 2009

It sounds like Grunge.It's not from Seattle.It's God's Acre!

Here's one obscurity I've been planning to post for a long time....God's Acre.The band made me a hell of a good impression with their song Wood featured on Teriyaki Asthma vol I-V. They sounded like a pure Seattle grunge band (even more after I listened to their first single) and I was a little bit confused to find out that they were actually from Chicago.So...let's check out their story!

God's Acre was started by Peter Houpt in '86 after his band Women In Love disbanded. It looks like he was asked to participate on a compilation released by WNUR in Chicago. He didn't have any band at the moment so with the help of a drum machine, Half A Boy's Life song ended up on Hog Butcher For The World compilation along with bands such as Big Black, End Result, Material Issue, Bloodsport and The Garden.Soon Peter asked Doug Mc Combs from Eleventh Dream Day to fill in for the bass until he found a full time bass player, and he was also joined by Johnny Hearndon from Precious Wax Drippings on drums, but after a few shows he left and Brian St. Clair took his place.Soon after that, Doug also left and Mark Blade replace him as the full time bass player.

The trio recorded a cassette tape,13 Gospel Greats, but only 2 of the songs made it on vinyl. The release was called My Real Cool Time" b/w "She a 7"single that came out in 1988. At short time after, Brian left to join Rights Of The Accused, Craig Bradford filled in for a very short period and finally was replace by Brendan Burke of King Vitamin in '89. In 1990 they released their debut full length album Ten Gospel Greats on Wax Trax Records. Along the years they opened for bands such as NoMeansNo, Eleventh Dream Day, Frightwig, Precious Wax Drippings, Das Damen, and even for that famous Seattle grunge band(in 1990 at the Metro in Chicago)...you know what band. They released Baby in '92, a mini album, and after that I think they disbanded.

Here's a couple of tracks to keep you busy until next week.Enjoy...

from My Real Cool Time" b/w "She 7''
from Teriyaki Asthma vol I-V
Wood(also included on Ten Gospel Greats)

from Ten Gospel Greats